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The watermarking technology of IBM's Tokyo
Research Laboratory (TRL) was adopted as
the Watermarking Processor Tool of the IBM
Electronic Music Management System. The tool
allows recording companies and studios to
embed highly transparent "source watermarks"
such as Copy Control Information (CCI), Usage
IDs and International Standard Recording
Code (ISRC) into digital audio data. The
embedded watermark survives down-sampling,
AAC and MP3 compression, copying to MiniDisc
(MD) via analog, and various types of audio
signal processing. The TRL technology is
applicable to both CD-quality and DVD-quality
audio data.
Trial of IBM EMMS with Five Major Record Companies
On February 8, 1999, five major record companies,
BMG, EMI, Sony Music, Universal Music, and
Warner Music, announced that they were joining
with IBM to conduct the first-ever market
trial of a system that permits convenient
and fast distribution of full-length, CD-quality
albums to consumers in a highly secure form
over the Internet. The trial will be conducted
using an IBM-developed delivery system, Electronic
Music Management System (EMMS). Over 2,000
albums will be available for download during
the trial, which is expected to begin in
the spring and last for more than six months.
Background Story of the Music Recording Industry
Digital business brings big opportunities
and big risks. The following table shows
the sales of recorded music in the USA. CD
offers a quality of sound that analog recorded
music has never been able to offer, which
is why it drove a remarkable growth of recorded
music sales from 1988 to 1995. But the recent
advance of compression technology and the
popularity of the Internet are harming the
music recording industry because of the prevalence
of casual illegal copying over the Internet.
Now the music recording industry is demanding
that consumer electronic manufacturers and
information technology companies provide
a secure music management framework for both
physical and electronic distribution. Sales of recorded music (in million dollars
net after return) in the USA
| Year | CD (M$) | Cassette (M$) | Recorded total (M$) |
| 1988 | 2,090 | 3,385 | 6,255 |
| 1989 | 2,588 | 3,346 | 6,579 |
| 1990 | 3,452 | 3,472 | 7,541 |
| 1991 | 4,338 | 3,020 | 7,834 |
| 1992 | 5,327 | 3,116 | 9,024 |
| 1993 | 6,511 | 2,916 | 10,047 |
| 1994 | 8,465 | 2,976 | 12,068 |
| 1995 | 9,377 | 2,304 | 12,320 |
| 1996 | 9,935 | 1,905 | 12,534 |
| 1997 | 9,915 | 1,523 | 12,237 |
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