Call of the Month
June, 1991: Coordinate
by Barry Leiba
Last month we looked at CUT THE DIAMOND and saw an example of a
three-and-one line - a line in
which three dancers are facing in one direction and the fourth is facing
in the other. Three-and-
one lines are not often seen at the Plus level, but some callers do use them
and do some
interesting figures with them. This month we'll take a new look at
COORDINATE.
Most of you have probably never done COORDINATE
except from a "standard" column where everyone
holds right (or possibly left) hands. How can we do COORDINATE
from lines? Let's review the
definition:
- 1) All 8 circulate once and a half
2) Center six trade (triple trade)
3) End two and very center two move up
Now let's set up a three-and-one line. Get out your little figurines and
follow along:
- 1) Heads PASS THE OCEAN (a quarter-tag formation)
2) Sides TRADE AND ROLL ("funny" diamonds)
3) CUT THE DIAMOND (three-and-one lines with sides in the centers
facing out)
4) Girls TRADE (now everyone's facing in except the side boys, who
are in the
centers of their lines)
5) COORDINATE...
First, everyone circulates once... for the centers that's a BOX
CIRCULATE
and for the ends it's a PASS THRU. Next everyone circulates one half...
for the centers, again, it's a BOX CIRCULATE, putting them
into a diamond with the boys holding hands and the girls at the points. The
ends go around the outside, meet, and take right hands. Now the girls have
left hands on the outsides, two of the boys have right hands in the middle,
and the two remaining boys are alone on the very ends. So the center six
trade: the center boys trade by the right, all the girls trade by the left.
Finally, the end two boys and the center two boys all move up to become the
points of facing diamonds.
So now we can finish the sequence with:
- 6) DIAMOND CIRCULATE, girls turn back
7) FLIP THE DIAMOND and trade
8) RIGHT AND LEFT GRAND.
The columns are copyright ©1991, 1992, 1993, and 1994
by Barry Leiba;
for permission to reprint them, please contact the author. No request
has been refused yet. Of course, you may print a copy for personal use
without specific permission. You may contact the author by e-mail at
"leiba@watson.ibm.com"
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